III° NATIONAL CONGRESS JOINT S.I.C.-FISS
| 7 October 2010 | - | 9 October 2010 |
We came to the third edition of the National Medical Congress organized by the Italian Society of Contraception (SIC) and the Italian Federation of Scientific Sexology (FISS).
CREATIVITY FESTIVAL
| 21 October 2010 | - | 24 October 2010 |
Entirely dedicated to communication, creativity and art, the Creativity Festival is an event hosted annually by the Fortezza da Basso in Florence. Every year the festival collect thousands of visitors among tourists, students and curious.
MICHELLE HUNZIKER – Mi scappa da ridere
| 22 October 2010 | - | 24 October 2010 |
Michelle Hunziker in “Mi scappa da ridere” (Me burst out laughing). If there was a tale of Michelle surely it would begin with a laugh…
(Italiano) CONCERTO VASCO ROSSI
| 12 October 2010 | ||
| 21:00 |
Sorry, this entry is only available in Italiano.
STING CONCERT
| 25 October 2010 | ||
| 20:00 | - | 23:00 |
October 25, 2010
The new tour of Sting in autumn touches also some Italian cities and it begins October 25 at the Teatro Verdi in Florence. A fine series of concerts during which the artist dusts off his successes in key symphony known as the title promises the title of the recent album Symphonicitiese that is reminiscent Synchronicity of 1983’s.
BRONZINO. ARTIST AND POET AT THE COURT OF THE MEDICI
| 24 September 2010 10:00 | - | 23 January 2011 19:00 |
24 September 2010 – 23 January 2011
One of the greatest painters of the sixteenth century, Agnolo di Cosimo Tori, known as Bronzino (1503-1572), embodied the fullness of the ‘modern manner’ in the years of the government of Cosimo I de’ Medici.Florence is clearly the preferential location for a monographic exhibition on Bronzino, since the majority of his paintings are still conserved here, above all in the Uffizi, but also in other city museums and in the churches.
Bronzino. Artist & Poet
| 24 September 2010 | - | 23 January 2011 |
One of the greatest painters of the sixteenth century, Agnolo di Cosimo Tori, known as Bronzino (1503-1572), embodied the fullness of the ‘modern manner’ in the years of the government of Cosimo I de’ Medici.
